Blog archives for January, 2010

The Beatles were a pop and rock group from Liverpool, England formed in 1960. Primarily consisting of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals) throughout their career, The Beatles are recognised for leading the mid-1960s musical “British Invasion” into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers.

The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles’ innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling
Hot 100 artists to celebrate the chart’s fiftieth anniversary; The Beatles reached #1 again.

• The Beatles – Eleanor Rigby

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The Fray is a Grammy Award-nominated four-piece piano rock American band from Denver, Colorado. Formed in 2002 by schoolmates Isaac Slade and Joe King, the band released their debut album How to Save a Life in 2005. The band is best known for the song “How to Save a Life”, which charted in the top three of the Billboard Hot 100 and was also a top 5 single in Canada, Australia, Ireland, Sweden, and the United Kingdom. The Fray also found national success with the song “Over My Head (Cable Car)”, which became a top ten hit in the United States and Canada. How to Save a Life was certified double platinum by the Recording Industry Association of America and was also certified platinum in Australia and New Zealand.

The Fray was formed in 2002, and currently consists of Isaac Slade (vocals and piano), Joe King (guitar and vocals), Dave Welsh (guitar) and Ben Wysocki (drums and percussion). While the band has no official bass guitarist, Dan Lavery of Tonic has been the touring bassist since March 2007. Prior to Dan joining the touring fold, Jimmy Stofer, also a member of the band Hello Kavita, was employed as the band’s touring bassist from 2005 through February 2007.

• The Fray – All At Once
• The Fray – Fall Away

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Bernard Herrmann (June 29, 1911 – December 24, 1975) was an American composer noted for his work in motion pictures.

An Academy Award-winner (for The Devil and Daniel Webster, 1941), Herrmann is particularly known for his collaborations with director Alfred Hitchcock, most famously Psycho, North by Northwest, The Man Who Knew Too Much, and Vertigo. He also composed notable scores for many other movies, including Citizen Kane, The Ghost and Mrs. Muir, Cape Fear, and Taxi Driver. He worked extensively in radio drama (most notably for Orson Welles), composed the scores for several fantasy films by Ray Harryhausen, and many TV programs including most notably Rod Serling’s The Twilight Zone.

• Bernard Herrmann – Psico

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Ludwig van Beethoven (16 December 1770 – 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.

Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven’s hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.

• Beethoven – Fur Elise

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Louis Spohr (5 April 1784 – 22 October 1859) was a German composer, violinist and conductor. Born Ludwig Spohr, he is usually known by the French form of his name outside Germany. Sometimes described as “The Forgotten Master”, Spohr was once as famous as Beethoven. As a violinist, his virtuoso playing was admired by Queen Victoria. As a composer he ranks as an historic figure in the development of German music drama and whose greatest triumph was in the oratorio. His orchestral writings and chamber works were once considered on a par with Mozart’s.

A prolific composer, Spohr produced more than 150 works with opus numbers, in addition to a number of works without such numbers. He wrote music in all genres. His nine symphonies (a tenth was left unfinished, but was brought to completion by Eugene Minor and premiered by the Bergen Youth Orchestra) show a progress from the classical style of his predecessors to the programme music of the ninth symphony, Die Jahreszeiten (The Seasons). Between 1803 and 1844 Spohr wrote more violin concertos than any other composer of the time, fifteen in all. Some of them are formally unconventional, such as the one-movement Concerto No. 8, which is in the style of an operatic aria, and which is still periodically revived (Jascha Heifetz championed it), most recently in a 2006 recording by Hilary Hahn. There are two double-violin concertos as well. Better known today, however, are the four clarinet concertos, all written for the virtuoso Johann Simon Hermstedt, which have established a secure place
in clarinettists’ repertoire.

Among Spohr’s chamber music is a series of no fewer than 36 string quartets, as well as four interesting double quartets for two string quartets. He also wrote an assortment of other quartets, duos, trios, quintets and sextets, an octet and a nonet, works for solo violin and for solo harp, and works for violin and harp to be played by him and his wife together.

• Louis Spohr – Sonata

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Vanessa Lee Carlton (born August 16, 1980) is an American soft rock/Piano pop singer, songwriter, and pianist best known for the Billboard top five, Grammy-nominated single “A Thousand Miles” from her debut album, Be Not Nobody which was released April 30, 2002, and certified platinum in the U.S.

Her music, along with that of her contemporary Michelle Branch to whom she is sometimes compared, has had an influence on female solo pop singer-songwriters in the 21st century, including Kate Voegele, Lights, Sara Bareilles (another piano pop artist), Colbie Caillat and Tristan Prettyman.

Carlton’s second album, Harmonium (released November 9, 2004), debuted at number 33 on the U.S. Billboard 200 and had sold 179,000 copies as of February 2006, with the single “White Houses,” peaking at 86 in the U.S. Billboard Hot 100. She subsequently parted company from her record label A&M, though she still holds a dedicated fanbase.

Her third album, Heroes and Thieves, was released on October 9, 2007 by the The Inc./Universal Motown record labels.

• Vanessa Carlton – A Thousand Miles

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Johann Pachelbel (baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.

Pachelbel’s work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.

Pachelbel’s music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.

• Pachelbel – Canon in D

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Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.

Piazzolla’s nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla’s fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz “changes”, predominates in most of Piazzolla’s mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows
strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla’s groups and since the composer’s death.

• Astor Piazzolla – Summer In Buenos Aires
• Astor Piazzolla – Revirado
• Astor Piazzolla – Winter

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Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.

Piazzolla’s nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla’s fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz “changes”, predominates in most of Piazzolla’s mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows
strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla’s groups and since the composer’s death.

• Astor Piazzolla – Oblivion

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Guy Theodore Sebastian (born 26 October 1981) is an Australian singer-songwriter, and winner of the first Australian Idol television talent quest in 2003. Between December 2003 and November 2007 he released four top 4 albums including a #1 and #2, which all achieved either platinum or multi platinum accreditation. His fifth album Like It Like That features several tracks with John Mayer playing guitar and singing backing vocals, and also a duet with Jordin Sparks. The album was released on October 23, 2009, and debuted at #6, achieving gold accreditation in its third week on the ARIA chart.

Sebastian has also released six top 10 singles which includes four #1’s, and three other top 15 and one top 40 single. His most recent #1 is “Like it Like That” the title track from his latest album. It was released as the first single in Australia on August 7, 2009 and reached #1 in its 4th week and spent 12 weeks in the ARIA Top 10 and has achieved 2x platinum accreditation. “Art of Love”, the song featuring Jordin Sparks, was officially released as the second single on November 20, 2009 and has reached #10 on the ARIA Singles Chart.
During his career Sebastian has been awarded 10 platinum and 1 gold accreditation for albums, and 8 platinum and 2 gold accreditations for singles, the highest album and single accreditations of any Australian Idol contestant according to official Australian Recording Industry Association records. In total Sebastian has sold over 1.45 million cds in Australia alone, including more than 800,000 albums. Three of his albums have been nominated as highest selling album at the annual ARIA Music Awards, Just As I Am in 2004, Beautiful Life in 2005, and The Memphis Album in 2008. His debut single “Angels Brought Me Here” although only released in late November 2003 placed #1 on the End of Year Top 100 ARIA Singles Chart in 2003, and was awarded the ARIA for highest selling single at the 2004 ARIA Awards.

Sebastian is third on the list of Australian performers with #1 singles this decade, ahead of him being Kylie Minogue with six and Delta Goodrem with eight. His four #1 singles also places him second in Australian chart history for most #1 singles by an Australian solo male act. Ahead of him with five is John Farnham. Sebastian’s are ARIA #1’s. Farnham’s were achieved over three decades, with four Go-Set Australian National Chart/Kent Music Report #1’s between 1968 and 1986 and one ARIA Chart #1 single in 1988 Sebastian has received a number of awards including Channel V’s Artist Of The Year in 2004, and Urban Music Awards for Best Male Artist in 2006 and Best R&B Album for his third album Closer To The Sun in 2007.

Early in his career Sebastian had some success overseas with his first single reaching #1 in New Zealand, Malaysia, Singapore, the Philippines and Indonesia. His success outside Australia is most evident in New Zealand, where his first single “Angels Brought Me Here” was accredited platinum. It spent 3 weeks at #1, and remained in the NZ Top 50 chart for 22 weeks during 2003/2004. His debut album Just As I Am reached #3 on the NZ charts, and gained 2xplatinum accreditation. His second single “All I Need Is You” peaked at #5, and spent 14 weeks in their Top 50. Despite Sebastian’s success in these countries his record label did not release his follow up albums there. In 2008 Sebastian was signed to Victor/Sony to release an album in the US. The album is currently set for release there in 2010.

• Guy Sebastian – Receive The Power

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