Latest Sheet Music
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Niels Gade
Niels Wilhelm Gade (22 February 1817 – 21 December 1890) was a Danish composer, conductor, violinist, organist and teacher. He is considered the most important Danish musician of his day.[1Gade was born in Copenhagen, the son of a joiner and instrument maker. He began his career as a violinist with the Royal Danish Orchestra, which premiered his concert overture Efterklange af Ossian ("Echoes of Ossian") in 1841. When his first symphony was turned down for performance in Copenhagen, he sent it to Felix Mendelssohn.
Schubert
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
While Schubert had a close circle of friends and associates who admired his work (including his teacher Antonio Salieri, and the prominent singer Johann Michael Vogl), wider appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. Interest in Schubert's work increased dramatically in the decades following his death and he is now widely considered to be one of the greatest composers in the Western tradition.
While he was clearly influenced by the Classical sonata forms of Beethoven and Mozart (his early works, among them notably the 5th Symphony, are particularly Mozartean), his formal structures and his developments tend to give the impression more of melodic development than of harmonic drama. This combination of Classical form and long-breathed Romantic melody sometimes lends them a discursive style: his 9th Symphony was described by Robert Schumann as running to "heavenly lengths". His harmonic innovations include movements in which the first section ends in the key of the subdominant rather than the dominant (as in the last movement of the Trout Quintet). Schubert's practice here was a forerunner of the common Romantic technique of relaxing, rather than raising, tension in the middle of a movement, with final resolution postponed to the very end.
Traditional
traditional music
Richard Wagner
Wilhelm Richard Wagner (pronounced /ˈvɑːɡnər/, German pronunciation: ; 22 May 1813 – 13 February 1883) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Wagner's compositions, particularly those of his later period, are notable for their complex texture, rich harmonies and orchestration, and the elaborate use of leitmotifs: musical themes associated with individual characters, places, ideas or plot elements. Unlike most other opera composers, Wagner wrote both the music and libretto for every one of his stage works. Famous extracts from his operas include the "Ride of the Valkyries" and the Bridal Chorus from Lohengrin, popularly known as the wedding march "Here Comes the Bride".
Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were in the romantic traditions of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts, and was announced in a series of essays between 1849 and 1852. Wagner realised this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again and he reintroduced some traditional operatic forms into his last few stage works including Die Meistersinger von Nürnberg.
Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner's influence spread beyond music into philosophy, literature, the visual arts and theatre. He had his own opera house built, the Bayreuth Festspielhaus, which contained many novel design features. It was here that the Ring and Parsifal received their premieres and where his most important stage works continue to be performed today in an annual festival run by his descendants. Wagner's views on conducting were also highly influential. His extensive writings on music, drama and politics have all attracted extensive comment; not least for their frequently antisemitic content.
Wagner achieved all of this despite a life characterised, until his last decades, by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His pugnacious personality and often outspoken views on music, politics and society made him a controversial figure during his life. He has remained one to this day. The impact of his his ideas can be traced in many of the arts throughout the twentieth century.
Initially establishing his reputation as a composer of works such as The Flying Dutchman and Tannhäuser which were in the romantic traditions of Weber and Meyerbeer, Wagner transformed operatic thought through his concept of the Gesamtkunstwerk ("total work of art"). This would achieve the synthesis of all the poetic, visual, musical and dramatic arts, and was announced in a series of essays between 1849 and 1852. Wagner realised this concept most fully in the first half of the monumental four-opera cycle Der Ring des Nibelungen. However, his thoughts on the relative importance of music and drama were to change again and he reintroduced some traditional operatic forms into his last few stage works including Die Meistersinger von Nürnberg.
Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music. His Tristan und Isolde is sometimes described as marking the start of modern music. Wagner's influence spread beyond music into philosophy, literature, the visual arts and theatre. He had his own opera house built, the Bayreuth Festspielhaus, which contained many novel design features. It was here that the Ring and Parsifal received their premieres and where his most important stage works continue to be performed today in an annual festival run by his descendants. Wagner's views on conducting were also highly influential. His extensive writings on music, drama and politics have all attracted extensive comment; not least for their frequently antisemitic content.
Wagner achieved all of this despite a life characterised, until his last decades, by political exile, turbulent love affairs, poverty and repeated flight from his creditors. His pugnacious personality and often outspoken views on music, politics and society made him a controversial figure during his life. He has remained one to this day. The impact of his his ideas can be traced in many of the arts throughout the twentieth century.
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Georg Philipp Telemann
Georg Philipp Telemann was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes.
Ottorino Respighi
Ottorino Respighi (July 9, 1879, Bologna - April 18, 1936) was an Italian composer, musicologist and conductor. He is best known for his orchestral Roman trilogy: Fontane di Roma - "Fountains of Rome"; Pini di Roma - "Pines of Rome"; and Feste Romane - "Roman Festivals". His musicological interest in 16th-, 17th- and 18th-century music led him to also compose pieces based on the music of this period.
Born in Bologna, he studied composition with Giuseppe Martucci and Nikolai Rimsky-Korsakov. Many sources indicate that he also studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case. Principally a violinist until 1908, he then turned primarily to composition. He lived in Rome from 1913.
Born in Bologna, he studied composition with Giuseppe Martucci and Nikolai Rimsky-Korsakov. Many sources indicate that he also studied briefly with Max Bruch, but in her biography of the composer, Respighi's wife asserts that this is not the case. Principally a violinist until 1908, he then turned primarily to composition. He lived in Rome from 1913.
Thoinot Arbeau
Thoinot Arbeau is the anagrammatic pen name of French cleric Jehan Tabourot. Tabourot is most famous for his Orchésographie, a study of late sixteenth-century French Renaissance social dance. He was born in Dijon and died in Langres.
Alfred Grunfeld
Alfred Grünfeld (4 July 1852 in Prague – 4 January 1924 in Vienna) was an Austrian pianist and composer.Alfred Grünfeld was born as the second of eight children to Jewish leather merchant Moritz Grünfeld (born 1817 Kolín nad Labem) and his wife Regina, nee Pick (born 1826 Osek), in Prague – New Town. Moritz Grünfeld was a leather merchant, and Grünfeld grew up in a middle-class, musical Jewish family. His siblings included: the cellist Heinrich Grünfeld; Ludwig Grünfeld, who worked for Deutsche Grammophon, and Siegmund Grünfeld, répétiteur at the Vienna Hofoper. The family lived at Zeltnergasse 38.
Morton Feldman
Morton Feldman was an American composer. A major figure in 20th-century classical music, Feldman was a pioneer of indeterminate music, a development associated with the experimental New York School of composers also including John Cage, Christian Wolff, and Earle Brown.
Edouard Lalo
Eduard Lalo (full name: Édouard Victor Antoine Lalo) (born 27 January 1823 Lille, France – died 22 April 1892 Paris) is a French musician and opera composer. He studied at the Paris conservatory and graduated from the school with the second "Rome Prize". He became famous for playing the concerto of the famous violinist Sarasate in 1872, and his success was followed by various stage works and symphonies.Major operas; "Le Roi d'Ys" is "Savonarola", "La Jacquerie". In addition, the well-known "Symphonie Espagnole" composed for chamber music and church pieces, violin and orchestra inspired by the famous virtuoso Pablo de Sarasate is adorned with melodic inventions
Lipps Inc.
Lipps Inc. was an American disco and funk group from Minneapolis, Minnesota. The group is best known for the chart-topping 1980 worldwide hit single "Funkytown", which hit No. 1 in 28 countries and was certified as double platinum in sales.
E. Meyer Helmund
Erik Meyer-Helmund was a Berlin-based composer and singer. His song "Flirtation" was recorded by John McCormack, and his "Gute Nacht, mein holdes, süßes Mädchen" by Nicolai Gedda and Fritz Wunderlich. Helen Tretbar translated several of his lieder from German into English.
David Arnold
David Arnold is an English film composer whose credits include scoring five James Bond films, as well as Stargate, Independence Day, Godzilla and the television series Little Britain and Sherlock.
Nhac Viet
Traditional Vietnamese music encompasses a large umbrella of Vietnamese music from antiquity to present times, and can also encompass multiple groups, such as those from Vietnam's ethnic minority tribes
Saint Saens
Charles-Camille Saint-Saëns (9 October 1835 – 16 December 1921) was a French composer, organist, conductor, and pianist, known especially for The Carnival of the Animals, Danse Macabre, Samson and Delilah, Havanaise, Introduction and Rondo capriccioso, and his Symphony No. 3 (Organ Symphony).
Mason Bates
Mason Wesley Bates (born January 23, 1977) is a Grammy award-winning American composer of symphonic music and DJ of electronic dance music. He is the first composer-in-residence of the Kennedy Center for the Performing Arts, and he has also been in residence with Chicago Symphony Orchestra, the San Francisco Symphony, the Pittsburgh Symphony, and the California Symphony. In addition to his notable works Mothership, Anthology of Fantastic Zoology, and The (R)evolution of Steve Jobs, he composed the score to Gus Van Sant’s film The Sea of Trees. In a 2018 survey of American orchestras, he was rated the second-most performed living composer.
The Wolfe Tones
The Wolfe Tones are an Irish rebel music band that incorporate Irish traditional music in their songs. Formed in 1963, they take their name from Theobald Wolfe Tone, one of the leaders of the Irish Rebellion of 1798, with the double meaning of a wolf tone – a spurious sound that can affect instruments of the violin family.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
William Henley
William Henley (1874–1957) was an English violinist, arranger of music, music teacher, and composer. He is the author of a seminal reference book, the Universal Dictionary of Violin & Bow Makers. The book was the first to include a significant number of American craftsmen. Works written: Universal Dictionary of Violin & Bow...
Johann Strauss Jr.
Johann Strauss II (born Johann Baptist Strauss; 25 October 1825 – 3 June 1899), also known as Johann Strauss Jr., the Younger, the Son (German: Sohn), son of Johann Strauss I, was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Some of Johann Strauss's most famous works include "The Blue Danube", "Kaiser-Walzer" (Emperor Waltz), "Tales from the Vienna Woods", and the "Tritsch-Tratsch-Polka". Among his operettas, Die Fledermaus and Der Zigeunerbaron are the best known.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Scarlatti
Giuseppe Domenico Scarlatti was an Italian composer. He is classified primarily as a Baroque composer chronologically, although his music was influential in the development of the Classical style and he was one of the few Baroque composers to transition into the classical period.
Pomah
French Producer & DJ based In Berlin, Germany. @exaltationtechno · [email protected]. Pinned to spotlight. KIBERNET Podcast 001 - Pomah. Pomah.
Gaetano Braga
Gaetano Braga (June 9, 1829 – November 21, 1907) was an Italian composer and cellist.He was born in Giulianova in Abruzzi and died in Milan.Portrait of Gaetano Braga by Andrea Baronchelli
Braga's works include compositions for the cello (two concertos, a quintet, a quartet, works for cello and piano) and the operas.A "Serenata" (serenade) by Braga, sometimes called "Angel's Serenade" or "Légende valaque" (Wallachian Legend), is a dialogue (comparable to that in "Erlkönig") between a worried mother and a girl who hears an angel's voice calling her; in the end the girl follows the voice ("O mamma buona notte, io seguo il suon, io seguo il suon!"). It is mentioned in Anton Chekhov's short story "The Black Monk," as well as in other Russian works of the late 19th and early 20th centuries.[1
Braga's works include compositions for the cello (two concertos, a quintet, a quartet, works for cello and piano) and the operas.A "Serenata" (serenade) by Braga, sometimes called "Angel's Serenade" or "Légende valaque" (Wallachian Legend), is a dialogue (comparable to that in "Erlkönig") between a worried mother and a girl who hears an angel's voice calling her; in the end the girl follows the voice ("O mamma buona notte, io seguo il suon, io seguo il suon!"). It is mentioned in Anton Chekhov's short story "The Black Monk," as well as in other Russian works of the late 19th and early 20th centuries.[1
Johann Pachelbel
Johann Pachelbel (pronounced /ˈpækəlbɛl/, /ˈpɑːkəlbɛl/, or /ˈpɑːkəbɛl/; baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher, who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote - although a true canon at the unison in three parts, it is often regarded more as a passacaglia, and it is in this mode that it has been arranged and transcribed for many different media. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Nino Rota
Nino Rota (December 3, 1911, Milan – April 10, 1979, Rome) was a world-renowned Italian composer and academic who is best known for his film scores, notably for the films of Federico Fellini and Luchino Visconti. He also composed the music for two of Franco Zeffirelli's Shakespeare films, and for the first two films of Francis Ford Coppola's Godfather trilogy.
During his long career Rota was an extraordinarily prolific composer, especially of music for the cinema. He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979—an average of three scores each year over a 46 year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954. Alongside this great body film work, he composed ten operas, five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto. He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo de Filippo as well as maintaining a long teaching career at the Liceo Musicale in Bari, Italy, where he was the director for almost 30 years.
During his long career Rota was an extraordinarily prolific composer, especially of music for the cinema. He wrote more than 150 scores for Italian and international productions from the 1930s until his death in 1979—an average of three scores each year over a 46 year period, and in his most productive period from the late 1940s to the mid-1950s he wrote as many as ten scores every year, and sometimes more, with a remarkable thirteen film scores to his credit in 1954. Alongside this great body film work, he composed ten operas, five ballets and dozens of other orchestral, choral and chamber works, the best known being his string concerto. He also composed the music for many theatre productions by Visconti, Zeffirelli and Eduardo de Filippo as well as maintaining a long teaching career at the Liceo Musicale in Bari, Italy, where he was the director for almost 30 years.
Guy Bergeron
Guy Bergeron was born the 13th of October 1964 in Loretteville, Province of Quebec, Canada. He graduated in music: in 1990, 3rd cycle in composition at the Conservatoire de musique of Quebec; in 1986, collegial grade (DEC) in pop music, Cegep of Drummondville, and in 1984, collegial grade (DEC) in music, Cegep of Ste-Foy, with guitar as first instrument. He was also a student in jazz interpretation from 1992 until 1994 at the University of Montreal (electric guitar) and he studied computer-assisted music at the Musitechnic School in Montreal. He plays the guitar (classical, electric, acoustic, synthesizer), the banjo, the mandolin and the bass. He's been earning his living with music for more than 25 years, as a professional musician, a composer, an arranger and also as a studio engineer as he manages his own studio.
An Thuyên
An Thuyen full name is Nguyen An Thuyen (born August 15, 1949 in Quynh Luu, Nghe An; died on July 3, 2015 at 108 Military Central Hospital, Hanoi) is a musician, instrumentalist. Major General of the Vietnam People's Army.
Jean Sibelius
Jean Sibelius ( pronunciation (help·info)) (8 December 1865 – 20 September 1957) was a Finnish composer of the later Romantic period whose music played an important role in the formation of the Finnish national identity. His mastery of the orchestra has been described as "prodigious."
The core of Sibelius's oeuvre is his set of seven symphonies. Like Beethoven, Sibelius used each successive work to further develop his own personal compositional style. His works continue to be performed frequently in the concert hall and are often recorded.
In addition to the symphonies, Sibelius's best-known compositions include Finlandia, the Karelia Suite, Valse triste, the Violin Concerto in D minor and The Swan of Tuonela (one of the four movements of the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala; over 100 songs for voice and piano; incidental music for 13 plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music; piano music; Masonic ritual music; and 21 separate publications of choral music.
The core of Sibelius's oeuvre is his set of seven symphonies. Like Beethoven, Sibelius used each successive work to further develop his own personal compositional style. His works continue to be performed frequently in the concert hall and are often recorded.
In addition to the symphonies, Sibelius's best-known compositions include Finlandia, the Karelia Suite, Valse triste, the Violin Concerto in D minor and The Swan of Tuonela (one of the four movements of the Lemminkäinen Suite). Other works include pieces inspired by the Finnish national epic, the Kalevala; over 100 songs for voice and piano; incidental music for 13 plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music; piano music; Masonic ritual music; and 21 separate publications of choral music.
Nicola Porpora
Nicola (Antonio) Porpora (or Niccolò Porpora) (17 August 1686 – 3 March 1768) was an Italian composer of Baroque operas (see opera seria) and teacher of singing, whose most famous singing student was the castrato Farinelli. One of his other students was composer Matteo Capranica.
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
George Gershwin
George Gershwin (September 26, 1898 – July 11, 1937) was an American composer. He wrote most of his vocal and theatrical works in collaboration with his elder brother, lyricist Ira Gershwin. George Gershwin composed songs both for Broadway and for the classical concert hall. He also wrote popular songs with success.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Many of his compositions have been used on television and in numerous films, and many became jazz standards. The jazz singer Ella Fitzgerald recorded many of the Gershwins' songs on her 1959 Gershwin Songbook (arranged by Nelson Riddle). Countless singers and musicians have recorded Gershwin songs, including Fred Astaire, Louis Armstrong, Al Jolson, Bobby Darin, Art Tatum, Bing Crosby, Janis Joplin, John Coltrane, Frank Sinatra, Billie Holiday, Sam Cooke, Miles Davis, Herbie Hancock, Madonna, Judy Garland, Julie Andrews, Barbra Streisand, Marni Nixon, Natalie Cole, Patti Austin, Nina Simone, Maureen McGovern, John Fahey, The Residents, Than & Sam, Sublime, and Sting. A residential building is named after him on the Stony Brook University campus.
Requiem for a Dream
Requiem for a Dream is an Academy Award-nominated 2000 film adaptation of the 1978 novel of the same name. The novel was written by Hubert Selby, Jr.; the film adaptation was directed by Darren Aronofsky, and starred Ellen Burstyn, Jared Leto, Jennifer Connelly, Matt Taylor and Marlon Wayans. Burstyn was nominated for an Academy Award for Best Actress for her performance.
Igor Stravinsky
Igor Fyodorovich Stravinsky (17 June 1882 – 6 April 1971) was a Russian-born, naturalised French, later naturalised American composer, pianist, and conductor.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
He is widely acknowledged as one of the most important and influential composers of 20th century music. He was a quintessentially cosmopolitan Russian who was named by Time magazine as one of the 100 most influential people of the century. He became a naturalised French citizen in 1934 and a naturalized US citizen in 1945. In addition to the recognition he received for his compositions, he also achieved fame as a pianist and a conductor, often at the premieres of his works.
Stravinsky's compositional career was notable for its stylistic diversity. He first achieved international fame with three ballets commissioned by the impresario Sergei Diaghilev and performed by Diaghilev's Ballets Russes (Russian Ballets): The Firebird (1910), Petrushka (1911/1947), and The Rite of Spring (1913). The Rite, whose premiere provoked a riot, transformed the way in which subsequent composers thought about rhythmic structure, and was largely responsible for Stravinsky's enduring reputation as a musical revolutionary, pushing the boundaries of musical design.
After this first Russian phase Stravinsky turned to neoclassicism in the 1920s. The works from this period tended to make use of traditional musical forms (concerto grosso, fugue, symphony), frequently concealed a vein of intense emotion beneath a surface appearance of detachment or austerity, and often paid tribute to the music of earlier masters, for example J.S. Bach and Tchaikovsky.
In the 1950s he adopted serial procedures, using the new techniques over his last twenty years. Stravinsky's compositions of this period share traits with examples of his earlier output: rhythmic energy, the construction of extended melodic ideas out of a few two- or three-note cells, and clarity of form, of instrumentation, and of utterance.
He also published a number of books throughout his career, almost always with the aid of a collaborator, sometimes uncredited. In his 1936 autobiography, Chronicles of My Life, written with the help of Walter Nouvel, Stravinsky included his well-known statement that "music is, by its very nature, essentially powerless to express anything at all." With Alexis Roland-Manuel and Pierre Souvtchinsky he wrote his 1939–40 Harvard University Charles Eliot Norton Lectures, which were delivered in French and later collected under the title Poétique musicale in 1942 (translated in 1947 as Poetics of Music). Several interviews in which the composer spoke to Robert Craft were published as Conversations with Igor Stravinsky. They collaborated on five further volumes over the following decade.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Zoltan Paulinyi
Zoltán Paulínyi Körmendy (Pittsfield, MA, 1977) conhecido pelo nome artístico de Zoltan Paulini, é um violinista, violista (barroco e moderno) e compositor americano-brasileiro. É profissionalmente ativo desde 1995, e utiliza principalmente instrumentos fabricados e restaurados pelo luthier Carlos Martins del Picchia.
Caro Emerald
Caroline Esmeralda van der Leeuw (born 26 April 1981), known by her stage name Caro Emerald, is a Dutch pop and jazz singer who mainly performs in English. Active since 2007, she rose to prominence in 2009 with her debut single, "Back It Up". Her follow-up single "A Night Like This" topped charts in the Netherlands. Emerald is often praised for her outstanding live performances.
Ravel
Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937) was a French composer of Impressionist music known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Juan Plaza
Juan Plaza Musical artist Genre: Dance/Electronic Songs Null Space Null Space · 2021 Artificial Life Artificial Life · 2022
Lost Bits Lost Bits · 2020.
Lost Bits Lost Bits · 2020.
Lionel Richie
Lionel Brockman Richie, Jr. (born June 20, 1949) is an Academy Award and Grammy award-winning American singer, songwriter, record producer, and occasional actor, who has sold more than 100 million records.
He released his self-titled debut in 1982. The album hit #3 on the music charts and sold over 4 million copies. His 1983 follow up album, Can't Slow Down, sold over twice as many copies and won the Grammy Award for the Album of the Year in 1984. His third album, Dancing on the Ceiling, which was released in 1986, spawned such hits as "Say You, Say Me", "Dancing on the Ceiling," and "Se La", but it also signified the end of his large commercial success.
In 2002, Richie's song "Running with the Night" was featured on the Rockstar North video game Grand Theft Auto: Vice City though the song was removed from later versions of the game. In 2004, he appeared on Canadian Idol as his songs were featured during a Canadian Idol week.
In November 2005, Lionel Richie performed with Kenny Rogers on a CMT Crossroads special. The show gave an informative insight into their friendship both in and out of the music world. Richie was also the headliner at a 2000 Fourth of July tribute concert with Fantasia Barrino at the Philadelphia Museum of Art. Richie released his eighth studio album entitled " Coming Home" on September 12, 2006. The first single of the album was "I Call It Love" and was premiered in July 2006, becoming his biggest hit in the U.S. in ten years. The album was an incredible success for Richie in the United States, peaking at #6. His adopted daughter Nicole Richie stars in the music video for this track.
On May 2, 2008, Lionel Richie was the 21st recipient of the George and Ira Gershwin Lifetime Achievement Award at UCLA's annual Spring Sing. In accepting the award, Richie said: "Forget about surviving 30 some odd years in the music business, Lionel Richie survived 27 years of Nicole Richie".
He released his self-titled debut in 1982. The album hit #3 on the music charts and sold over 4 million copies. His 1983 follow up album, Can't Slow Down, sold over twice as many copies and won the Grammy Award for the Album of the Year in 1984. His third album, Dancing on the Ceiling, which was released in 1986, spawned such hits as "Say You, Say Me", "Dancing on the Ceiling," and "Se La", but it also signified the end of his large commercial success.
In 2002, Richie's song "Running with the Night" was featured on the Rockstar North video game Grand Theft Auto: Vice City though the song was removed from later versions of the game. In 2004, he appeared on Canadian Idol as his songs were featured during a Canadian Idol week.
In November 2005, Lionel Richie performed with Kenny Rogers on a CMT Crossroads special. The show gave an informative insight into their friendship both in and out of the music world. Richie was also the headliner at a 2000 Fourth of July tribute concert with Fantasia Barrino at the Philadelphia Museum of Art. Richie released his eighth studio album entitled " Coming Home" on September 12, 2006. The first single of the album was "I Call It Love" and was premiered in July 2006, becoming his biggest hit in the U.S. in ten years. The album was an incredible success for Richie in the United States, peaking at #6. His adopted daughter Nicole Richie stars in the music video for this track.
On May 2, 2008, Lionel Richie was the 21st recipient of the George and Ira Gershwin Lifetime Achievement Award at UCLA's annual Spring Sing. In accepting the award, Richie said: "Forget about surviving 30 some odd years in the music business, Lionel Richie survived 27 years of Nicole Richie".