Latest Sheet Music
Bela Bartok
Béla Viktor János Bartók (pronounced /ˈbɑrtɒk/ (Wells 1990), Hungarian pronunciation: ) (March 25, 1881 – September 26, 1945) was a Hungarian composer and pianist. He is considered to be one of the greatest composers of the 20th century and is regarded, along with Liszt, as his country's greatest composer (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of ethnomusicology.
Zoltan Paulinyi
Zoltán Paulínyi Körmendy (Pittsfield, MA, 1977) conhecido pelo nome artístico de Zoltan Paulini, é um violinista, violista (barroco e moderno) e compositor americano-brasileiro. É profissionalmente ativo desde 1995, e utiliza principalmente instrumentos fabricados e restaurados pelo luthier Carlos Martins del Picchia.
Johann Sebastian Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and musician of the Baroque period. He is known for instrumental compositions such as the Art of Fugue, the Brandenburg Concertos, and the Goldberg Variations, and for vocal music such as the St Matthew Passion and the Mass in B minor. Since the 19th-century Bach Revival he has been generally regarded as one of the greatest composers of the Western art musical canon.
Hangad
Hangád (Tagalog: "yearning" or "desire") is an inspirational vocal ensemble known for songs like Pananatili and Panunumpâ (covered by pop singer Carol Banawa). They have also recorded albums which are co-produced with the Jesuit Music Ministry (JMM), the musical arm of Jesuit Communications Foundation (JesCom) of the Philippine Province of the Society of Jesus.].
In 2006, Hangad won an Awit Award for Best Inspirational or Religious Song.
In 2006, Hangad won an Awit Award for Best Inspirational or Religious Song.
Mozart
Wolfgang Amadeus Mozart, full name Johann Chrysostom Wolfgang Amadeus Mozart (27 January 1756 â 5 December 1791) was a prolific and influential composer of the Classical era. His over 600 compositions include works widely acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music. Mozart is among the most enduringly popular of classical composers, and many of his works are part of the standard concert repertoire.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Mozart's music, like Haydn's, stands as an archetypal example of the Classical style. His works spanned the period during which that style transformed from one exemplified by the style galant to one that began to incorporate some of the contrapuntal complexities of the late Baroque, complexities against which the galant style had been a reaction. Mozart's own stylistic development closely paralleled the development of the classical style as a whole. In addition, he was a versatile composer and wrote in almost every major genre, including symphony, opera, the solo concerto, chamber music including string quartet and string quintet, and the piano sonata. While none of these genres were new, the piano concerto was almost single-handedly developed and popularized by Mozart. He also wrote a great deal of religious music, including masses; and he composed many dances, divertimenti, serenades, and other forms of light entertainment.
The central traits of the classical style can be identified in Mozart's music. Clarity, balance, and transparency are hallmarks of his work.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Carl Sigman
Carl Sigman (September 24, 1909 – September 26, 2000) was a major American songwriter.
Born in Brooklyn, New York, he graduated from law school and passed his Bar exams to practice in the state of New York. Instead of law, encouraged by his friend Johnny Mercer, he embarked on a songwriting career that saw him become one of the most prominent and successful in American music history. He was awarded the Bronze Star for his efforts in Africa during the 2nd World War.
Although Sigman wrote many song melodies, he was primarily a lyricist who collaborated with songwriters such as Bob Hilliard and Duke Ellington.
He also wrote English language lyrics to many songs which were originally composed in other languages, such as Answer Me, Till, The Day The Rains Came and What Now My Love. During the big band era he composed works used by top band leaders such as Glenn Miller and Guy Lombardo. His songs were also hits for individual singing stars. Some of the best known include My Heart Cries For You, which was recorded by three different artists in 1951: Dinah Shore, Guy Mitchell and Vic Damone. Two years later Sigman's song Ebb Tide was a top hit for Frank Chacksfield and was a Billboard Top Ten hit in 1965 for the Righteous Brothers.
Tommy Edwards scored a No. 1 hit in 1958 with It's All In The Game, with lyrics by Sigman set to music the future Vice President Charles Gates Dawes had composed in 1912. He is most widely remembered for writing the lyrics for Where Do I Begin, the theme song for Love Story, the top grossing film of 1970. The song became a major hit record for crooner Andy Williams.
In 1972 Carl Sigman was inducted into the Songwriters Hall of Fame.
Born in Brooklyn, New York, he graduated from law school and passed his Bar exams to practice in the state of New York. Instead of law, encouraged by his friend Johnny Mercer, he embarked on a songwriting career that saw him become one of the most prominent and successful in American music history. He was awarded the Bronze Star for his efforts in Africa during the 2nd World War.
Although Sigman wrote many song melodies, he was primarily a lyricist who collaborated with songwriters such as Bob Hilliard and Duke Ellington.
He also wrote English language lyrics to many songs which were originally composed in other languages, such as Answer Me, Till, The Day The Rains Came and What Now My Love. During the big band era he composed works used by top band leaders such as Glenn Miller and Guy Lombardo. His songs were also hits for individual singing stars. Some of the best known include My Heart Cries For You, which was recorded by three different artists in 1951: Dinah Shore, Guy Mitchell and Vic Damone. Two years later Sigman's song Ebb Tide was a top hit for Frank Chacksfield and was a Billboard Top Ten hit in 1965 for the Righteous Brothers.
Tommy Edwards scored a No. 1 hit in 1958 with It's All In The Game, with lyrics by Sigman set to music the future Vice President Charles Gates Dawes had composed in 1912. He is most widely remembered for writing the lyrics for Where Do I Begin, the theme song for Love Story, the top grossing film of 1970. The song became a major hit record for crooner Andy Williams.
In 1972 Carl Sigman was inducted into the Songwriters Hall of Fame.
Charles N. Daniels
Charles N. Daniels (April 12, 1878 – January 23, 1943), was a composer, occasional lyricist, and music publishing executive. He employed many pseudonyms, including Neil Moret, Jules Lemare, L'Albert, Paul Bertrand, Julian Strauss, and Sidney Carter. His creative work is generally credited as "Moret" while his business dealings and ASCAP membership were under the name Daniels.
Consuelo Velazquez
Consuelo Velázquez Torres (Ciudad Guzmán; August 21, 1916 in Zapotlán el Grande, Jalisco – January 22, 2005) (popularly also known as Consuelito Velázquez) was a Mexican concert pianist, songwriter and recording artist. She was the composer of famous Mexican ballads such as “Bésame mucho", "Amar y vivir", and "Cachito".
Ennio Morricone
Ennio Morricone, OMRI (born November 10, 1928), is an Italian composer and conductor. He has composed and arranged scores for more than 500 film and television productions. Morricone is considered as one of the most influential film composers since the late 1950s. He is well-known for his long-term collaborations with international acclaimed directors such as Sergio Leone, Brian De Palma, Barry Levinson, and Giuseppe Tornatore.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
He wrote the characteristic film scores of Leone's Spaghetti Westerns A Fistful of Dollars (1964), For a Few Dollars More (1965), The Good, the Bad and the Ugly (1966), Once Upon a Time in the West (1968), The Great Silence (1968), and My Name Is Nobody (1973). In the 80s, Morricone composed the scores for John Carpenter's horror movie The Thing (1982), Leone's Once Upon a Time in America (1984), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987) and Giuseppe Tornatore's Cinema Paradiso (1988).
His more recent compositions include the scores for Oliver Stone's U Turn (1997), Tornatore's The Legend of 1900 (1998) and Malèna (2000), Mission to Mars (2000) by Brian De Palma, Fateless (2005), and Baaria - La porta del vento (2009). Ennio Morricone has won two Grammy Awards, two Golden Globes and five Anthony Asquith Awards for Film Music by BAFTA in 1979–1992. He has been nominated for five Academy Awards for Best Music, Original Score in 1979–2001. Morricone received the Honorary Academy Award in 2007 "for his magnificent and multifaceted contributions to the art of film music". He was the second composer to receive this award after its introduction in 1928.
Goodbye, Mr. Chips
Goodbye, Mr. Chips is a 1969 American musical film directed by Herbert Ross. The screenplay by Terence Rattigan is based on James Hilton's 1934 novel Goodbye, Mr. Chips, which was first adapted for the screen in 1939.In 1920s Britain, Arthur Chipping is an established member of the teaching staff at the Brookfield public school. He is a stodgy teacher of Latin, disliked by his pupils, who find him boring and call him "Ditchy," short for "dull as ditch-water." Chips meets Katherine Bridges, a music hall soubrette, in the dining room of the Savoy Hotel in London on the eve of his summer holiday. Dissatisfied with her career and depressed by her romantic entanglements, she sets sail on a Mediterranean cruise and is reunited with Chips by chance in Pompeii. Seeing in him a lonely soul similar to herself, she arranges an evening at the theatre after they return to Britain, and the two find themselves drawn to each other. When Chips arrives at Brookfield for the autumn term, it is with his new wife on his arm, much to the shock of the staff and delight of the pupils, who find Mrs Chips' charm to be irresistible. His marriage softens him and makes him more liked by his students.
The Secret Garden
The Secret Garden is a musical based on the 1909 novel of the same name by Frances Hodgson Burnett. The musical's book and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway at the St. James Theatre on 25 April 1991 and closed on 3 January 1993 after 709 performances.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
The musical, set in 1906, tells of a young English girl, Mary, who is forced to move to England from colonial India when her parents die in a cholera outbreak. There she lives with her emotionally stunted Uncle Archibald and her invalid cousin. Discovering a hidden and neglected garden, and bravely overcoming dark forces, she and a young gardener bring it back to life at the same time as she brings new life to her cousin and uncle.
The Secret Garden garnered the 1991 Tony Awards for Best Book of a Musical, Best Featured Actress in a Musical (Daisy Eagan), and Best Scenic Design (Heidi Landesman). The set resembled an enormous Victorian toy theatre with pop-out figures, large paper dolls, and Joseph Cornell-like collage elements.
Handel
George Frideric Handel (Friday, 23 February 1685 - Saturday, 14 April 1759) was a German-born Baroque composer who is famous for his operas, oratorios and concerti grossi. Born as Georg Friedrich Handel in Halle, he spent most of his adult life in England, becoming a subject of the British crown on 22 January 1727. His most famous works are Messiah, an oratorio set to texts from the King James Bible; Water Music; and Music for the Royal Fireworks. Strongly influenced by the techniques of the great composers of the Italian Baroque and the English composer Henry Purcell, his music was known to many significant composers who came after him, including Haydn, Mozart, and Beethoven.
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
Handel's compositions include 42 operas; 29 oratorios; more than 120 cantatas, trios and duets; numerous arias; chamber music; a large number of ecumenical pieces; odes and serenatas; and sixteen organ concerti. His most famous work, the Messiah oratorio with its "Hallelujah" chorus, is among the most popular works in choral music and has become a centerpiece of the Christmas season. Also popular are the Opus 3 and 6 Concerti Grossi, as well as "The Cuckoo and the Nightingale", in which birds are heard calling during passages played in different keys representing the vocal ranges of two birds. Also notable are his sixteen keyboard suites, especially The Harmonious Blacksmith.
Handel introduced various previously uncommon musical instruments in his works: the viola d'amore and violetta marina (Orlando), the lute (Ode for St. Cecilia's Day), three trombones (Saul), clarinets or small high cornets (Tamerlano), theorbo, French horn (Water Music), lyrichord, double bassoon, viola da gamba, bell chimes, positive organ, and harp (Giulio Cesare, Alexander's Feast).
John Dowland
John Dowland (1563 – buried 20 February 1626) was an English composer, singer, and lutenist. He is best known today for his melancholy songs such as "Come, heavy sleep" (the basis for Benjamin Britten's Nocturnal), "Come again", "Flow my tears", "I saw my Lady weepe" and "In darkness let me dwell", but his instrumental music has undergone a major revival, and has been a source of repertoire for classical guitarists during the twentieth century.
Ravel
Joseph-Maurice Ravel (March 7, 1875 – December 28, 1937) was a French composer of Impressionist music known especially for his melodies, orchestral and instrumental textures and effects. Much of his piano music, chamber music, vocal music and orchestral music has entered the standard concert repertoire.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Ravel's piano compositions, such as Jeux d'eau, Miroirs and Gaspard de la Nuit, demand considerable virtuosity from the performer, and his orchestral music, including Daphnis et Chloé and his arrangement of Modest Mussorgsky's Pictures at an Exhibition, uses a variety of sound and instrumentation very effectively.
Ravel is perhaps known best for his orchestral work, Boléro (1928), which he considered trivial and once described as "a piece for orchestra without music."
According to SACEM, Ravel's estate earns more royalties than that of any other French musician. According to international copyright law, Ravel's works are public domain since January 1, 2008 in most countries. In France, due to anomalous copyright law extensions to account for the two world wars, they will not enter the public domain until 2015.
Alexey Nevilko
Alex Nevilko and I compose music for piano and orchestra. On my channel you will find my original music.
Fariborz Lachini
He started his career in Iran writing music for children, creating "Avaz Faslha va Rangha" at the age of 18 which caught the attention of royal family of the time. The title of national Iranian TV's children programming for more than two decades, was one of his earlier works. Before Iran's Islamic Revolution, he also created music for some of Iran's pop icons.
After the Islamic Revolution he moved to Europe to study Musicology in the Universite de Paris – Sorbonne. It was then that his music became influenced by the European styles. He returned home and created one of the best loved contemporary solo piano albums of all in Iran with a unique style, a combination of Persian and European Romantic styles called "Paeez Talaee", also known as Golden Autumn, which has been the number-one seller for years in Iran and has attracted fans from all around the world
After the Islamic Revolution he moved to Europe to study Musicology in the Universite de Paris – Sorbonne. It was then that his music became influenced by the European styles. He returned home and created one of the best loved contemporary solo piano albums of all in Iran with a unique style, a combination of Persian and European Romantic styles called "Paeez Talaee", also known as Golden Autumn, which has been the number-one seller for years in Iran and has attracted fans from all around the world
Yasunori Mitsuda
Yasunori Mitsuda (光田 康典 Mitsuda Yasunori?, born January 21, 1972) is a Japanese video game composer, sound programmer, and musician. He has composed music for or worked on over 35 games, and has contributed to over 15 other albums. He is best known for his compositions for the video games Chrono Trigger, Chrono Cross, Shadow Hearts, Shadow Hearts: Covenant, Xenogears, Xenosaga Episode I, and Mario Party. He began composing video game music for his own games in high school, and after graduation attended Junior College of Music in Tokyo. In 1992 upon graduation he joined Square (now Square Enix) as a composer after seeing a magazine advertisement in an office he was visiting with his professor.
Despite his job title as a composer, Mitsuda worked for two years as a sound engineer. In 1994, after threatening to quit to Square's vice president, Hironobu Sakaguchi, he was assigned to compose the soundtrack to Chrono Trigger. After the game's success and the music's acclaim, he went on to compose several other games for Square, including Xenogears. In 1998 Mitsuda left Square to work as a freelance composer, founding his own music production studio, Procyon Studio, in 2001 as well as his own record label, Sleigh Bells. The company has since expanded to nine employees, and Mitsuda continues to compose for video games, as well as for anime series and his own independent albums.
Despite his job title as a composer, Mitsuda worked for two years as a sound engineer. In 1994, after threatening to quit to Square's vice president, Hironobu Sakaguchi, he was assigned to compose the soundtrack to Chrono Trigger. After the game's success and the music's acclaim, he went on to compose several other games for Square, including Xenogears. In 1998 Mitsuda left Square to work as a freelance composer, founding his own music production studio, Procyon Studio, in 2001 as well as his own record label, Sleigh Bells. The company has since expanded to nine employees, and Mitsuda continues to compose for video games, as well as for anime series and his own independent albums.
Zequinha de Abreu
José Gomes de Abreu, better known as Zequinha de Abreu (September 19, 1880 — January 22, 1935), was a Brazilian musician and composer who in 1917 wrote the famous choro tune "Tico-Tico no Fubá" (whose original title was "Tico-Tico no Farelo"). Other well-known tunes he wrote were "Branca" and "Tardes de Lindóia."
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Itzhak Perlman
Itzhak Perlman (Hebrew: יצחק פרלמן; born August 31, 1945) is an Israeli American violin virtuoso, conductor, and master-instructor. He is widely considered as one of the preeminent violin virtuosi of the 20th century.
He made his debut at Carnegie Hall in 1963 and won the prestigious Leventritt Competition in 1964. Soon afterward he began to tour extensively. In addition to an extensive recording career, he has made occasional guest appearances on American television, starting in the 1970s on shows such as The Tonight Show and Sesame Street, as well as playing at a number of functions at the White House.
Although he has never been billed or marketed as a singer, he sang the role of "Un carceriere" ("a jailer") on a 1981 EMI recording of Puccini's Tosca which featured Renata Scotto, Plácido Domingo, and Renato Bruson, with James Levine conducting. He had earlier sung the role in an excerpt from the opera on a 1980 Pension Fund Benefit Concert telecast as part of the Live from Lincoln Center series, with Luciano Pavarotti as Cavaradossi, and Zubin Mehta conducting the New York Philharmonic. Perlman is a basso.
In 1987, he joined the Israel Philharmonic Orchestra for their concerts in Warsaw and Budapest, as well as other Eastern bloc countries. He toured with the IPO in the spring of 1990 for their first-ever performance in the Soviet Union, with concerts in Moscow and Leningrad, and toured with the IPO again in 1994, performing in China and India.
While primarily a solo artist, Perlman has performed with a number of other notable musicians, including Yo-Yo Ma, Jessye Norman, Isaac Stern, and Yuri Temirkanov at the 150th anniversary celebration of Tchaikovsky in Leningrad in December 1990. He has also performed (and recorded) with good friend and fellow Israeli violinist Pinchas Zukerman on numerous occasions over the years.
As well as playing and recording the classical music for which he is best known, Perlman has also played jazz, including an album made with jazz pianist Oscar Peterson, and klezmer. Perlman has been a soloist for a number of movie scores, notably the score of the 1993 film Schindler's List by John Williams, which subsequently won an Academy Award for best score. More recently, he was the violin soloist for the 2005 film Memoirs of a Geisha, along with cellist Yo-Yo Ma. Perlman played selections from the musical scores of the movies nominated for "Best Original Score" at the 73rd Academy Awards with Yo-Yo Ma, and at the 78th Academy Awards.
He made his debut at Carnegie Hall in 1963 and won the prestigious Leventritt Competition in 1964. Soon afterward he began to tour extensively. In addition to an extensive recording career, he has made occasional guest appearances on American television, starting in the 1970s on shows such as The Tonight Show and Sesame Street, as well as playing at a number of functions at the White House.
Although he has never been billed or marketed as a singer, he sang the role of "Un carceriere" ("a jailer") on a 1981 EMI recording of Puccini's Tosca which featured Renata Scotto, Plácido Domingo, and Renato Bruson, with James Levine conducting. He had earlier sung the role in an excerpt from the opera on a 1980 Pension Fund Benefit Concert telecast as part of the Live from Lincoln Center series, with Luciano Pavarotti as Cavaradossi, and Zubin Mehta conducting the New York Philharmonic. Perlman is a basso.
In 1987, he joined the Israel Philharmonic Orchestra for their concerts in Warsaw and Budapest, as well as other Eastern bloc countries. He toured with the IPO in the spring of 1990 for their first-ever performance in the Soviet Union, with concerts in Moscow and Leningrad, and toured with the IPO again in 1994, performing in China and India.
While primarily a solo artist, Perlman has performed with a number of other notable musicians, including Yo-Yo Ma, Jessye Norman, Isaac Stern, and Yuri Temirkanov at the 150th anniversary celebration of Tchaikovsky in Leningrad in December 1990. He has also performed (and recorded) with good friend and fellow Israeli violinist Pinchas Zukerman on numerous occasions over the years.
As well as playing and recording the classical music for which he is best known, Perlman has also played jazz, including an album made with jazz pianist Oscar Peterson, and klezmer. Perlman has been a soloist for a number of movie scores, notably the score of the 1993 film Schindler's List by John Williams, which subsequently won an Academy Award for best score. More recently, he was the violin soloist for the 2005 film Memoirs of a Geisha, along with cellist Yo-Yo Ma. Perlman played selections from the musical scores of the movies nominated for "Best Original Score" at the 73rd Academy Awards with Yo-Yo Ma, and at the 78th Academy Awards.
Pierre Gaviniès
Pierre Gaviniès (11 May 1728 – 8 September 1800) was a French violinist, pedagogue and composer.Born in Bordeaux as the son of a luthier, Gaviniès was taken to Paris by his father in 1734. At age 13, he made his debut at the Concert Spirituel in Les Tuileries playing a Jean-Marie Leclair sonata for two violins. Sometime around 1753 he received a prison sentence as the result of an affair with a Countess.In 1762, he reached the peak of his career. Giovanni Battista Viotti described him as the French Tartini, a singular compliment. Jean Godefroy Eckhard, Leduc L’Ainé, Rodolphe Kreutzer, and Romain de Brasseure dedicated works to him. The cellist Martin Berteau named a sonata "La Gavinies".
The Beatles
The Beatles were a pop and rock group from Liverpool, England formed in 1960. Primarily consisting of John Lennon (rhythm guitar, vocals), Paul McCartney (bass guitar, vocals), George Harrison (lead guitar, vocals) and Ringo Starr (drums, vocals) throughout their career, The Beatles are recognised for leading the mid-1960s musical "British Invasion" into the United States. Although their initial musical style was rooted in 1950s rock and roll and homegrown skiffle, the group explored genres ranging from Tin Pan Alley to psychedelic rock. Their clothes, styles, and statements made them trend-setters, while their growing social awareness saw their influence extend into the social and cultural revolutions of the 1960s. After the band broke up in 1970, all four members embarked upon solo careers.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
The Beatles are one of the most commercially successful and critically acclaimed bands in the history of popular music, selling over a billion records internationally. In the United Kingdom, The Beatles released more than 40 different singles, albums, and EPs that reached number one, earning more number one albums (15) than any other group in UK chart history. This commercial success was repeated in many other countries; their record company, EMI, estimated that by 1985 they had sold over one billion records worldwide. According to the Recording Industry Association of America, The Beatles have sold more albums in the United States than any other band. In 2004, Rolling Stone magazine ranked The Beatles number one on its list of 100 Greatest Artists of All Time. According to that same magazine, The Beatles' innovative music and cultural impact helped define the 1960s, and their influence on pop culture is still evident today. In 2008, Billboard magazine released a list of top-selling Hot 100 artists to celebrate the chart's fiftieth anniversary; The Beatles reached #1 again.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
ngo thuy mien
Ngô Quang Bình (sinh ngày 26 tháng 9 năm 1948), nghệ danh là Ngô Thụy Miên, là một nhạc sĩ thành danh tại Sài Gòn (Việt Nam) từ trước năm 1975, hiện đang cư trú tại Hoa Kỳ.Nhạc sĩ Ngô Thụy Miên sinh ngày 26 tháng 9 năm 1948 tại Hải Phòng, và là con thứ hai trong một gia đình bảy người con. Ông lớn lên trong môi trường sách vở và thơ văn, do gia đình ông có mở một nhà sách tên Thanh Bình ở thành phố Hải Phòng, và sau này ở trên đường Phan Đình Phùng (nay là đường Nguyễn Đình Chiểu) khi vào định cư ở Sài Gòn. Tại đây, ông học trường Trung học Nguyễn Trãi. và sau đó là Trường Đại học Khoa học Sài Gòn.
Luigi Boccherini
Ridolfo Luigi Boccherini (/ˌbɒkəˈriːni/, also US: /ˌboʊk-/, Italian: (About this soundlisten); 19 February 1743 – 28 May 1805) was an Italian, later Spanish, composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482). The latter work was long known in the heavily altered version by German cellist and prolific arranger Friedrich Grützmacher, but has recently been restored to its original version.
Giovanni Battista Viotti
Giovanni Battista Viotti (12 May 1755 – 3 March 1824) was an Italian violinist whose virtuosity was famed and whose work as a composer featured a prominent violin and an appealing lyrical tunefulness. He was also a director of French and Italian opera companies in Paris and London. He personally knew Joseph Haydn and Ludwig van Beethoven.Viotti was born at Fontanetto Po in the Kingdom of Sardinia (today in the province of Vercelli, Piedmont, Italy). For his musical talent, he was taken into the household of principe Alfonso dal Pozzo della Cisterna in Turin, where he received a musical education that prepared him to be a pupil of Gaetano Pugnani.
Henry VIII
Henry VIII (28 June 1491 – 28 January 1547) was King of England from 22 April 1509 until his death in 1547. Henry is best known for his six marriages, including his efforts to have his first marriage (to Catherine of Aragon) annulled. His disagreement with Pope Clement VII about such an annulment led Henry to initiate the English Reformation, separating the Church of England from papal authority. He appointed himself Supreme Head of the Church of England and dissolved convents and monasteries, for which he was excommunicated. Henry is also known as "the father of the Royal Navy," as he invested heavily in the navy, increasing its size from a few to more than 50 ships, and established the Navy Board.
Joe Hisaishi
Mamoru Fujisawa (藤澤 守 Fujisawa Mamoru?), known professionally as Joe Hisaishi (久石 譲 Hisaishi Jō?, born December 6, 1950), is a composer and director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and head of an orchestra.
He is best known for his work with animator Hayao Miyazaki, having composed scores for many of his films including Nausicaä of the Valley of the Wind (1984), My Neighbor Totoro (1988), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004) and Ponyo (2008). He is also recognized for the soundtracks he has provided for filmmaker 'Beat' Takeshi Kitano, including Dolls (2002), Kikujiro (1999), Hana-bi (1997), Kids Return (1996), Sonatine (1993).
Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber (born 22 March 1948) is an English composer of musical theatre, the elder son of organist William Lloyd Webber and brother of the cellist Julian Lloyd Webber. Lloyd Webber started composing at the age of six, and published his first piece at the age of nine.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Lloyd Webber has achieved great popular success, with several musicals that have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of variations, two film scores, and a Latin Requiem Mass. He has also gained a number of honours, including a knighthood in 1992, followed by a peerage from the British Government for services to Music, seven Tony Awards (and 40 nominations), three Grammy Awards (with an additional 60 nominations), an Academy Award (two other nominations), seven Olivier Awards (with 100 nominations), a Golden Globe, and the Kennedy Center Honors in 2006. Several of his songs, notably "The Music of the Night" from The Phantom of the Opera, "I Don't Know How to Love Him" from Jesus Christ Superstar, "Don't Cry for Me, Argentina" from Evita, "Any Dream Will Do" from Joseph and the Amazing Technicolor Dreamcoat and "Memory" from Cats have been widely recorded and were hits outside of their parent musicals. His company, the Really Useful Group, is one of the largest theatre operators in London.
Producers in several parts of the UK have staged productions, including national tours, of Lloyd Webber's musicals under licence from the Really Useful Group. According to britishhitsongwriters.com, he is the one hundredth most successful songwriter in U.K. singles chart history, based on weeks that his compositions have spent on the chart.
Gustav Holst
Gustav Theodore Holst (21 September 1874 – 25 May 1934) was an English composer and was a music teacher for nearly 20 years. He is most famous for his orchestral suite The Planets. Having studied at the Royal College of Music in London, his early work was influenced by Ravel, Grieg, Richard Strauss, and fellow student Ralph Vaughan Williams, but most of his music is highly original, with influences from Hindu spiritualism and English folk tunes. Holst's music is well known for unconventional use of metre and haunting melodies.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Holst wrote almost 200 catalogued compositions, including orchestral suites, operas, ballets, concertos, choral hymns, and songs (see Selected works below).
Holst became music master at St Paul's Girls' School in 1905 and director of music at Morley College in 1907, continuing in both posts until retirement.
He was the brother of Hollywood actor Ernest Cossart and father of the composer and conductor Imogen Holst, who wrote a biography of him in 1938.
Max Bruch
Max Bruch (6 January 1838 – 2 October 1920) was a German Romantic composer, teacher, and conductor who wrote more than 200 works, including three violin concertos, the first of which has become a staple of the violin repertoire.Max Bruch was born in 1838 in Cologne to Wilhelmine (née Almenräder), a singer, and August Carl Friedrich Bruch, a lawyer who became vice president of the Cologne police. Max had a sister, Mathilde ("Till"). He received his early musical training under the composer and pianist Ferdinand Hiller, to whom Robert Schumann dedicated his piano concerto in A minor. The Bohemian composer and piano virtuoso Ignaz Moscheles recognized the aptitude of Bruch.
Borodin
Alexander Porfiryevich Borodin (12 November 1833 – 27 February 1887) was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five (or "The Mighty Handful"), who were dedicated to producing a specifically Russian kind of art music. He is best known for his symphonies, his two string quartets, and his opera Prince Igor. Music from Prince Igor and his string quartets was later adapted for the musical Kismet.
Serban Nichifor
Șerban Nichifor OCB (born 25 August 1954) is a Romanian composer, cellist and music educator.Șerban Nichifor was born on 25 August 1954 to Ermil Nichifor (1916–1997) and Livia Nichifor, née Balint (1922–2017) in Bucharest, Romania. Both his parents were physicians. His father was also a musician and conductor of the Orchestra of Physicians in Bucharest.
Astor Piazzolla
Ástor Pantaleón Piazzolla (March 11, 1921 – July 4, 1992) was an Argentine tango composer and bandoneón player. His oeuvre revolutionized the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music. An excellent bandoneonist, he regularly performed his own compositions with different ensembles.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Piazzolla's nuevo tango was distinct from the traditional tango in its incorporation of elements of jazz, its use of extended harmonies and dissonance, its use of counterpoint, and its ventures into extended compositional forms. As Argentine psychoanalyst Carlos Kuri has pointed out, Piazzolla's fusion of tango with this wide range of other recognizable Western musical elements was so successful that it produced a new individual style transcending these influences. It is precisely this success, and individuality, that makes it hard to pin down where particular influences reside in his compositions, but some aspects are clear. The use of the passacaglia technique of a circulating bass line and harmonic sequence, invented and much used in 17th and 18th century baroque music but also central to the idea of jazz "changes", predominates in most of Piazzolla's mature compositions. Another clear reference to the baroque is the often complex and virtuosic counterpoint that sometimes follows strict fugal behavior but more often simply allows each performer in the group to assert his voice. A further technique that emphasises this sense of democracy and freedom among the musicians is improvisation that is borrowed from jazz in concept, but in practice involves a different vocabulary of scales and rhythms that stay within the parameters of the established tango sound-world. Pablo Ziegler has been particularly responsible for developing this aspect of the style both within Piazzolla's groups and since the composer's death.
Nuttin' But Stringz
Nuttin' But Stringz, also known as N.B.S., consisted of the duo Tourie and Damien Escobar who both play violin. The musicians from Jamaica, Queens played a blend of classical music, hip-hop, jazz, and R&B.
Antonio Caldara
Antonio Caldara (1670 – 28 December 1736) was an Italian Baroque composer.Caldara was born in Venice (exact date unknown), the son of a violinist. He became a chorister at St Mark's in Venice, where he learned several instruments, probably under the instruction of Giovanni Legrenzi. In 1699 he relocated to Mantua, where he became maestro di cappella to the inept Charles IV, Duke of Mantua, a pensionary of France with a French wife, who took the French side in the War of the Spanish Succession.
Franz Schubert
Franz Peter Schubert (German pronunciation: ; January 31, 1797 – November 19, 1828) was an Austrian composer. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. He is particularly noted for his original melodic and harmonic writing.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.
Schubert was born into a musical family, and received formal musical training through much of his childhood. While Schubert had a close circle of friends and associates who admired his work (amongst them the prominent singer Johann Michael Vogl), wide appreciation of his music during his lifetime was limited at best. He was never able to secure adequate permanent employment, and for most of his career he relied on the support of friends and family. He made some money from published works, and occasionally gave private musical instruction. In the last year of his life he began to receive wider acclaim. He died at the age of 31 of "typhoid fever", a diagnosis which was vague at the time; several scholars suspect the real illness was tertiary syphilis.
Interest in Schubert's work increased dramatically in the decades following his death. Composers like Franz Liszt, Robert Schumann and Felix Mendelssohn discovered, collected, and championed his works in the 19th century, as did musicologist Sir George Grove. Franz Schubert is now widely considered to be one of the greatest composers in the Western tradition.
Ewald Straesser
Ewald Straesser (Sträßer) (27 June 1867 – 4 April 1933) was a German composer.Straesser was born in Burscheid, near Cologne. He was a student of Franz Wüllner at the Hochschule für Musik und Tanz Köln and later counted Georg van Albrecht among his own students, also Erwin Schulhoff (teaching him instrumentation/orchestration) At the Hochschule he succeeded Joseph Haas as professor of composition in 1921.He died in 1933 in Stuttgart. Wilhelm Furtwängler, Hermann Abendroth and other conductors and ensembles featured works by Straesser in their concerts. The conductor Karl Panzner (1866–1923) championed Straesser's symphonies early on (and premiered his 5th symphony.)
Giovanni Battista Vitali
Giovanni Battista Vitali (18 February 1632 – 12 October 1692) was an Italian composer and violone player.Vitali was born in Bologna and spent all of his life in the Emilian region, moving to Modena in 1674. His teacher in his early years was probably Maurizio Cazzati (1616–1678), maestro di cappella at the main church in Bologna, San Petronio Basilica from 1657 to 1671.The first documented evidence of Vitali’s musical activities appears in the records of the San Petronio orchestra for 1658, when he is listed under the title ‘Violoni’, referring to the cello/bass instrument that he played (to be discussed below).
Vitali remained in the orchestra until 1673, when he took up an appointment as maestro di cappella at the chapel of the Confraternità del Rosario, Bologna. His first publication, Opus 1 (1666), tells us that he was a member of the Accademia dei Filaschisi. This musical institution, which had been established in 1633, disbanded in 1666 when most of its members joined the Accademia Filarmonica. Vitali is also listed as a member of the Accademia Filarmonica in 1666, the year of its founding. The academy archives record various details of its members, including where they came from (if not from Bologna) and their dates of birth and death. Vitali’s death date is here recorded as 12 October 1692.
Vitali remained in the orchestra until 1673, when he took up an appointment as maestro di cappella at the chapel of the Confraternità del Rosario, Bologna. His first publication, Opus 1 (1666), tells us that he was a member of the Accademia dei Filaschisi. This musical institution, which had been established in 1633, disbanded in 1666 when most of its members joined the Accademia Filarmonica. Vitali is also listed as a member of the Accademia Filarmonica in 1666, the year of its founding. The academy archives record various details of its members, including where they came from (if not from Bologna) and their dates of birth and death. Vitali’s death date is here recorded as 12 October 1692.
Edvard Grieg
Edvard Hagerup Grieg (15 June 1843 – 4 September 1907) was a Norwegian composer and pianist who composed in the Romantic period. He is best known for his Piano Concerto in A minor, for his incidental music to Henrik Ibsen's play Peer Gynt (which includes Morning Mood and In the Hall of the Mountain King), and for his collection of piano miniatures Lyric Pieces. "Edvard" is sometimes mispelt as "Edward".
Grieg is renowned as a nationalist composer, drawing inspiration from Norwegian folk music. Early works include a symphony (which he later suppressed) and a piano sonata. He also wrote three sonatas for violin and piano and a cello sonata. His many short pieces for piano — often based on Norwegian folk tunes and dances — led some to call him the "Chopin of the North".
Concerto in A minor: 1. Allegro molto moderato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 1. Allegro molto moderato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 2. Adagio
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 2. Adagio
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Notturno, Op. 54, No. 4
Performed live by Mark Gasser
Problems listening to these files? See media help.
The Piano Concerto is his most popular work. Its champions have included the pianist and composer Percy Grainger, a personal friend of Grieg who played the concerto frequently during his long career. An arrangement of part of the work made an iconic television comedy appearance in the 1971 Morecambe and Wise Show, conducted by André Previn.
Some of the Lyric Pieces (for piano) are also well-known, as is the incidental music to Henrik Ibsen's play Peer Gynt, a play that Grieg found to be an arduous work to score properly. In a 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with what is now considered one of his most popular compositions from Peer Gynt, In the Hall of the Mountain King: "I have also written something for the scene in the hall of the mountain King - something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."
Grieg is renowned as a nationalist composer, drawing inspiration from Norwegian folk music. Early works include a symphony (which he later suppressed) and a piano sonata. He also wrote three sonatas for violin and piano and a cello sonata. His many short pieces for piano — often based on Norwegian folk tunes and dances — led some to call him the "Chopin of the North".
Concerto in A minor: 1. Allegro molto moderato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 1. Allegro molto moderato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 2. Adagio
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 2. Adagio
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the University of Washington Symphony, conducted by Peter Erős (Neal O'Doan, piano)
Concerto in A minor: 3. Allegro moderato molto e marcato
Performed by the Skidmore College Orchestra (courtesy of Musopen)
Notturno, Op. 54, No. 4
Performed live by Mark Gasser
Problems listening to these files? See media help.
The Piano Concerto is his most popular work. Its champions have included the pianist and composer Percy Grainger, a personal friend of Grieg who played the concerto frequently during his long career. An arrangement of part of the work made an iconic television comedy appearance in the 1971 Morecambe and Wise Show, conducted by André Previn.
Some of the Lyric Pieces (for piano) are also well-known, as is the incidental music to Henrik Ibsen's play Peer Gynt, a play that Grieg found to be an arduous work to score properly. In a 1874 letter to his friend Frants Beyer, Grieg expressed his unhappiness with what is now considered one of his most popular compositions from Peer Gynt, In the Hall of the Mountain King: "I have also written something for the scene in the hall of the mountain King - something that I literally can't bear listening to because it absolutely reeks of cow-pies, exaggerated Norwegian nationalism, and trollish self-satisfaction! But I have a hunch that the irony will be discernible."
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Ludwig van Beethoven
Ludwig van Beethoven (/ˈlʊdvɪɡ væn ˈbeɪt(h)oʊvən/ (About this soundlisten); German: (About this soundlisten); baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. A crucial figure in the transition between the classical and romantic eras in classical music, he remains one of the most recognized and influential musicians of this period, and is considered to be one of the greatest composers of all time.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Beethoven was born in Bonn, the capital of the Electorate of Cologne, and part of the Holy Roman Empire. He displayed his musical talents at an early age and was vigorously taught by his father Johann van Beethoven, and was later taught by composer and conductor Christian Gottlob Neefe. At age 21, he moved to Vienna and studied composition with Joseph Haydn. Beethoven then gained a reputation as a virtuoso pianist, and was soon courted by Prince Lichnowsky for compositions, which resulted in Opus 1 in 1795.
Cesar Cui
César Antonovich Cui (Russian: Цезарь Антонович Кюи, tr. Tsézar Antónovich Kyuí, IPA: (About this soundlisten); French: Cesarius Benjaminus Cui; 18 January 1835 – 13 March 1918) was a Russian composer and music critic, member of the Belyayev circle and The Five – a group of composers combined by the idea of creating a specifically Russian type of music. As an officer of the Imperial Russian Army he rose to the rank of Engineer-General (equivalent to full General), taught fortifications in Russian military academies and wrote a number of monographs on the subject.
F. DE DIEGO
Spanish composer and singer, born in 1958. Founder of "Raquel": in 1981 they recorded just one single. Later he released two solo albums. In Groups:.
twila paris
Twila Paris is a contemporary Christian music singer, songwriter, author and pianist. Since 1980, Paris has released 22 albums, amassed 33 number one Christian Radio singles, and was named the Gospel Music Association Female Vocalist of the Year three years in a row. Many of her earlier songs such as "He Is Exalted", "We Will Glorify", "Lamb of God", and "We Bow Down", are found in church hymnals or otherwise sung in church settings. She was inducted into the Gospel Music Association Hall of Fame in May 2015.
Grieg
Edvard Hagerup Grieg (/ɡriːɡ/ GREEG, Norwegian: ; 15 June 1843 – 4 September 1907) was a Norwegian composer and pianist. He is widely considered one of the leading Romantic era composers, and his music is part of the standard classical repertoire worldwide. His use and development of Norwegian folk music in his own compositions brought the music of Norway to international consciousness, as well as helping to develop a national identity, much as Jean Sibelius and Bedřich Smetana did in Finland and Bohemia, respectively.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Grieg is the most celebrated person from the city of Bergen, with numerous statues depicting his image, and many cultural entities named after him: the city's largest concert building (Grieg Hall), its most advanced music school (Grieg Academy) and its professional choir (Edvard Grieg Kor). The Edvard Grieg Museum at Grieg's former home, Troldhaugen, is dedicated to his legacy.
Jerry Herman
Gerald Sheldon Herman (July 10, 1931 – December 26, 2019) was an American composer and lyricist, known for his work in Broadway musical theater. He composed the scores for the hit Broadway musicals Hello, Dolly!, Mame, and La Cage aux Folles. He was nominated for the Tony Award five times, and won twice, for Hello, Dolly! and La Cage aux Folles.
Pachelbel
Johann Pachelbel (baptized September 1, 1653 – buried March 9, 1706) was a German Baroque composer, organist and teacher who brought the south German organ tradition to its peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Pachelbel's work enjoyed enormous popularity during his lifetime; he had many pupils and his music became a model for the composers of south and central Germany. Today, Pachelbel is best known for the Canon in D, the only canon he wrote. In addition to the canon, his most well-known works include the Chaconne in F minor, the Toccata in E minor for organ, and the Hexachordum Apollinis, a set of keyboard variations.
Pachelbel's music was influenced by southern German composers, such as Johann Jakob Froberger and Johann Kaspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. Pachelbel preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
The Corrs
The Corrs are a Celtic folk rock group from Dundalk, County Louth, Ireland. The group consists of the Corr siblings: Andrea (vocals, tin whistle); Sharon (violin, vocals); Caroline (drums, percussion, bodhrán, vocals); and Jim (guitar, keyboards, vocals).
The Corrs came to international prominence with their performance at the 1996 Summer Olympics in Atlanta, Georgia. Since then, they have released five studio albums and numerous singles, which have reached platinum in many countries. Talk on Corners, their most successful album to date, reached multi-platinum status in Australia and the UK.
The Corrs have been actively involved in philanthropic activities. They have performed in numerous charity concerts such as the Prince's Trust in 2004 and Live 8 alongside Bono in 2005. The same year, they were awarded honorary MBEs for their contributions to music and charity. The Corrs are on hiatus because Sharon, Jim, and Caroline are raising families, while Andrea is pursuing a solo career.
The Corrs came to international prominence with their performance at the 1996 Summer Olympics in Atlanta, Georgia. Since then, they have released five studio albums and numerous singles, which have reached platinum in many countries. Talk on Corners, their most successful album to date, reached multi-platinum status in Australia and the UK.
The Corrs have been actively involved in philanthropic activities. They have performed in numerous charity concerts such as the Prince's Trust in 2004 and Live 8 alongside Bono in 2005. The same year, they were awarded honorary MBEs for their contributions to music and charity. The Corrs are on hiatus because Sharon, Jim, and Caroline are raising families, while Andrea is pursuing a solo career.
Antonin Dvorak
Antonín Leopold Dvořák (English pronunciation: /ˈdvɒrʒɑːk/ DVOR-zhahk or /ˈdvɒrʒæk/ DVOR-zhak; Czech: ( listen); September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms of the folk music of Moravia and his native Bohemia. His works include operas, symphonic, choral and chamber music. His best-known works include his New World Symphony, the Slavonic Dances, "American" String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (of which the best known is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Brahms
Johannes Brahms (May 7, 1833 â April 3, 1897) was a German composer of the Romantic period. He was born in Hamburg and in his later years he settled in Vienna, Austria.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.
Brahms maintained a Classical sense of form and order in his works â in contrast to the opulence of the music of many of his contemporaries. Thus many admirers (though not necessarily Brahms himself) saw him as the champion of traditional forms and "pure music," as opposed to the New German embrace of program music.
Brahms venerated Beethoven: in the composer's home, a marble bust of Beethoven looked down on the spot where he composed, and some passages in his works are reminiscent of Beethoven's style. The main theme of the finale of Brahms's First Symphony is reminiscent of the main theme of the finale of Beethoven's Ninth, and when this resemblance was pointed out to Brahms he replied that any ass â jeder Esel â could see that.
Ein deutsches Requiem was partially inspired by his mother's death in 1865, but also incorporates material from a Symphony he started in 1854, but abandoned following Schumann's suicide attempt. He once wrote that the Requiem "belonged to Schumann". The first movement of this abandoned Symphony was re-worked as the first movement of the First Piano Concerto.
Brahms also loved the Classical composers Mozart and Haydn. He collected first editions and autographs of their works, and edited performing editions. He also studied the music of pre-classical composers, including Giovanni Gabrieli, Johann Adolph Hasse, Heinrich Schütz and especially Johann Sebastian Bach. His friends included leading musicologists, and with Friedrich Chrysander he edited an edition of the works of François Couperin. He looked to older music for inspiration in the arts of strict counterpoint; the themes of some of his works are modelled on Baroque sources, such as Bach's The Art of Fugue in the fugal finale of Cello Sonata No. 1, or the same composer's Cantata No. 150 in the passacaglia theme of the Fourth Symphony's finale.